Works
In 1583 Babington issued his Very fruitful exposition of the commandements by way of questions and answers, which was republished in 1590, and again about 1600. A similar work on the Lord's Prayer was issued in 1588. In 1584 appeared his Briefe conference betwixt man's frailtie and faith wherein is declared the true use and comfort of those blessings pronounced by Christ in the fifth of Matthew ... . Laide downe in order of dialogue. This was republished in 1590 and again in 1596. In 1592 the first edition was published of Certaine, plaine, briefe, and comfortable notes upon everie chapter of Genesis, of which an enlarged edition appeared in 1596 and 1602. In 1604 he issued his Comfortable notes upon the bookes of Exodus and Leviticus. Several sermons preached at St Paul's Cross by Babington were also published.
The major folio of his works, edited by Miles Smith and T. C, issued originally in 1615, was republished in 1622 and 1637. It consists of Babington's Comfortable Notes upon the Five Books of Moses, also an exposition upon the Creed, the Commandments, the Lord's Prayer, with a conference betwixt man's frailtie and faith, and three sermons, etc. Some passages from Babington's treatise on the commandments, in which the vices of his age are attacked, were reprinted in the New Shakspere Society's edition of Phillip Stubbes's Anatomy of Abuses. A sermon preached by Babington in 1590, and published in his 'Works,' was reprinted by Sir Richard Hill as an appendix to his 'Apology for Brotherly Love,' in 1798.
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Famous quotes containing the word works:
“Now they express
All that’s content to wear a worn-out coat,
All actions done in patient hopelessness,
All that ignores the silences of death,
Thinking no further than the hand can hold,
All that grows old,
Yet works on uselessly with shortened breath.”
—Philip Larkin (1922–1986)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)