The King and I
In 1950, Lawrence's business manager and attorney Fanny Holtzmann was looking for a new property for her client when the 1944 Margaret Landon book Anna and the King of Siam was sent to her by the William Morris agent who represented Landon. He thought a stage adaptation of the book would be an ideal vehicle for the actress. Holtzmann agreed, but proposed a musical version would be better. Lawrence wanted Cole Porter to write the score, but when he proved to be unenthused by the suggestion, Holtzmann sent the book to Richard Rodgers and Oscar Hammerstein II. Rodgers initially demurred because he felt Lawrence's vocal range was limited and she had a tendency to sing flat. But he realised the story had strong potential, and the two men agreed to write what ultimately became The King and I.
It opened on Broadway in March 1951, and Lawrence won the Tony Award for Best Actress in a Musical for her performance. Her triumph was short-lived; her health deteriorated rapidly, forcing her to miss numerous performances until she finally was hospitalised. While bedridden in NewYork-Presbyterian Hospital, on Friday afternoon, 5 September 1952, less than 24 hours before her death, she instructed Holtzmann to arrange for co-star Yul Brynner's name to be added to the marquee of the St. James Theatre, which included only Lawrence's name at the time.
Read more about this topic: Gertrude Lawrence
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