Other Prominent Lines
The phrase "wilderness of mirrors" from the poem has been alluded to by many other writers and artists. It has been used as the titles of plays by Van Badham and Charles Evered, of novels by Max Frisch, and of albums by bands such as Waysted. Rock singer Fish entitled his first solo album Vigil in a Wilderness of Mirrors.
Some commentators believe that James Jesus Angleton took the phrase from this poem when he described the confusion and strange loops of espionage and counter-intelligence, such as the Double Cross System, as a "wilderness of mirrors". It thence entered and has since become commonplace in the vocabulary of writers of spy novels or of popular historical writing about espionage. It was the title of an episode of the television series JAG where the protagonist is subjected to disinformation.
Another prominent line in the poem, "In depraved May, dogwood and chestnut, flowering judas/To be eaten, to be divided, to be drunk," is the origin of the title of Katherine Anne Porter's first collection of short stories, Flowering Judas and Other Stories (1930).
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Famous quotes containing the words prominent and/or lines:
“The vain man does not wish so much to be prominent as to feel himself prominent; he therefore disdains none of the expedients for self-deception and self-outwitting. It is not the opinion of others that he sets his heart on, but his opinion of their opinion.”
—Friedrich Nietzsche (18441900)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the I really want to know what your life is like without giving up any of my privileges
to live it white women
the I want to live my white life with Third World womens style and keep my skin
class privileges dykes”
—Lorraine Bethel, African American lesbian feminist poet. What Chou Mean We, White Girl? Lines 49-54 (1979)