George Melly - Interest in Surrealist Art

Interest in Surrealist Art

Melly once stated that he may have been drawn to surrealism by a particular experience he had during his teenage years. A frequent visitor to Liverpool's Sefton Park near his home, he often entered its tropical Palm House and there chatted to wounded soldiers from a nearby military hospital. It was the incongruity of this sight, men smoking among the exotic plants, dressed in their hospital uniforms and usually deficient a limb, that he felt he later recognised in the work of the Surrealists.

He joined the Royal Navy at the end of the Second World War because, as he quipped to the recruiting officer, the uniforms were 'so much nicer'. As he related in his autobiography, Rum, Bum and Concertina, he was crestfallen to discover that he would not be sent to a ship and was thus denied the "bell-bottom" uniform he desired. Instead he received desk duty and wore the other Navy uniform, described as "the dreaded fore-and-aft". Later, however, he did see ship duty. He never saw active combat, but was almost court-martialled for distributing anarchist literature.

Read more about this topic:  George Melly

Famous quotes containing the words interest in, interest, surrealist and/or art:

    The yuppie idea of the future ain’t my idea of a future. Your safe car, and home, and job, and all the time rushing between the three—let’s make people feel they can grow up and have some education, some interest in life! That’s what counts!
    Joe Strummer (b. 1952)

    Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
    Paul Valéry (1871–1945)

    The simplest surrealist gesture consists in going out into the street, gun in hand, and taking pot shots at the crowd!
    Surrealist slogan from the 1920s, quoted by Luis Buñuel in My Last Sigh, ch. 10 (1983)

    The fate of our times is characterized by rationalization and intellectualization and, above all, by the “disenchantment of the world.” Precisely the ultimate and most sublime values have retreated from public life either into the transcendental realm of mystic life or into the brotherliness of direct and personal human relations. It is not accidental that our greatest art is intimate and not monumental.
    Max Weber (1864–1920)