Life
He succeeded on his father Demetrius I's death in 1156.
He changed his father's defensive policy into a more aggressive one and resumed offensive against the neighboring Seljuk rulers in Armenia. With his ascent to the throne, Giorgi III launched a successful campaign against the Seljuk sultanate of Ahlat (the Shah-Armen State) in 1156. Giorgi took and annexed the Armenian cities of Ani and Dvin in 1161–1162. However, the Seljuk counterattacks made the King to cede Ani to a Muslim ruler on the terms of vassalage. The city was finally incorporated into the Georgian Kingdom in 1173. Throughout this period, the Georgian army was swelling with Armenian volunteers, enthusiastically participating in the Iiberation of their country. In 1167, he marched to defend his vassal Shah Aghsartan of Shirvan against the Khazar and Kipchak assaults and strengthened the Georgian dominance in the area.
In 1177, the nobles of the realm rose against the king and declared Prince Demna (Demetrius) a "true and lawful King of Georgia". Being a son of Giorgi III's late elder brother David V, Demna was considered by many as a legitimate pretender to the Georgian throne. Approximately 30,000 rebel forces under Demna's father-in-law Ioane Orbeli strengthened their positions at the citadel of Lore. The fortress was besieged by the royal army. Throwing himself and his followers on the mercy of his uncle, he was blinded and castrated and most of his in-laws murdered.
In 1178, Giorgi III appointed his daughter and heiress Tamar as heir apparent and co-ruler to forestall any dispute after his death. However, he remained co-regent until his death in 1184. He was buried at Gelati Monastery, western Georgia.
Read more about this topic: George III Of Georgia
Famous quotes containing the word life:
“Truth is the kind of error without which a certain species of life could not live. The value for life is ultimately decisive.”
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“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”
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—Frank Pittman (20th century)