George Franklin Barber - Works

Works

The bulk of Barber's business followed the "catalog architecture" model popularized by earlier architects such as Palliser. Barber's great innovation was his willingness to personalize his designs for individual clients at moderate cost. As he wrote in his Cottage Souvenir No. 2, "Write to us concerning any changes wanted in plans, and keep writing till you get what you want. Don't be afraid of writing too often. We are not easily offended." Though his firms' records no longer survive, it is believed that he sold as many as 20,000 plans in his career. Since he frequently modified his designs to fit his clients' needs and specifications, his houses are sometimes difficult to attribute with any certainty.

In discussing his architectural philosophy, Barber argued that Nature has "faithfully and accurately adhered to the Divine law of harmony," and that no place should adhere more closely to the fundamental principles of nature than one's house. Barber considered proportion the most important element in architecture, likening it to harmony in music, "without which all else is a failure." He described ornamentation as the next most important element, as it gives proportion expression. Lastly was "harmony of form," or the relationship of curved and straight lines to one another.

Barber's early designs were modified versions of the Queen Anne style, which Barber liked to enrich with the addition of Romanesque elements. Barber houses constructed in this period are characterized by features such imposing turrets, projecting windows, verandas flanked by circular pavilions, and Syrian arches. In the latter half of the 1890s, Barber began to offer more plans in the Colonial Revival style. These were often characterized by projecting porticos supported by large columns, symmetrical facades, and flat decks with balustrades. Later Barber catalogs contained Bungalow and Craftsman styles, though few of these were built.

Some have suggested that Barber was the first to sell prefabricated houses in crates, but there is no evidence that he was actually engaged in manufacturing. While he occasionally suppled builders with manufactured windows, doors, staircases and other components, and that a number of millwork companies advertised in Barber's magazine, it is unclear whether entire houses were sold as kits by anyone prior to 1900.