Post-war Years and Old Vic Theatre School
Devine returned to England in 1946, and in September of that year appeared as George Antrobus in Laurence Olivier's production of Thornton Wilder's The Skin of Our Teeth, also starring Vivien Leigh, at the Piccadilly Theatre in London. Soon afterwards, together with Saint-Denis and Byam Shaw, and under the auspices of the Old Vic Theatre, he opened The Old Vic Theatre School in Thurlow Park Road, Dulwich, London, to continue the training courses begun at The London Theatre Studio before the war. At the same time he formed the Young Vic Theatre Company, which was intended to bring theatre to young people. The school ran successfully for several years, training actors such as Prunella Scales and Joan Plowright. In 1952 the three directors were forced to resign following a dispute with the Old Vic governors, and Devine embarked on a free-lance career as a director and actor. Byam Shaw had moved to Stratford-on-Avon to run the Shakespeare Memorial Theatre, and Devine directed several successful Shakespeare productions there in the early 1950s, including a notorious version of King Lear (1955), which starred John Gielgud and was designed by the experimental Japanese American artist and sculptor Isamu Noguchi. He also directed several operas at Sadler’s Wells Theatre in London, and appeared in several films.
Read more about this topic: George Devine
Famous quotes containing the words post-war, years, theatre and/or school:
“Much of what Mr. Wallace calls his global thinking is, no matter how you slice it, still globaloney. Mr. Wallaces warp of sense and his woof of nonsense is very tricky cloth out of which to cut the pattern of a post-war world.”
—Clare Boothe Luce (19031987)
“The meaningful role of the father of the bride was played out long before the church music began. It stretched across those years of infancy and puberty, adolescence and young adulthood. Thats when she needs you at her side.”
—Tom Brokaw (20th century)
“Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyanswhich is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.”
—George Eliot [Mary Ann (or Marian)
“Today, only a fool would offer herself as the singular role model for the Good Mother. Most of us know not to tempt the fates. The moment I felt sure I had everything under control would invariably be the moment right before the principal called to report that one of my sons had just driven somebodys motorcycle through the high school gymnasium.”
—Mary Kay Blakely (20th century)