Geology of The Andes - Human Activity

Human Activity

See also: Cultural periods of Peru, Inca Empire, Viceroyalty of Peru, and Andean states
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

The Andes mountains form a north-south axis of cultural influences. A long series of cultural development culminated in the expansion of the Inca civilization and Inca Empire in the central Andes during the 15th century. The Incas formed this civilization through imperialistic militarism as well as careful and meticulous governmental management. The government sponsored the construction of aqueducts and roads in addition to preexisting installations. Some of these constructions are still in existence today.

Devastated by European diseases to which they had no immunity, and civil wars, in 1532 the Incas were defeated by an alliance composed of tens of thousands allies from nations they had subjugated (e.g. Huancas, Chachapoyas, CaƱaris) and a small army of 180 Spaniards led by Francisco Pizarro. One of the few Inca sites the Spanish never found in their conquest was Machu Picchu, which lay hidden on a peak on the eastern edge of the Andes where they descend to the Amazon. The main surviving languages of the Andean peoples are those of the Quechua and Aymara language families. Woodbine Parish and Joseph Barclay Pentland surveyed a large part of the Bolivian Andes from 1826 to 1827.

In modern times, the largest Andean cities are Bogota, Colombia, with a population of about eight million, Santiago de Chile, and Medellin, Colombia.

Read more about this topic:  Geology Of The Andes

Famous quotes containing the words human and/or activity:

    Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.
    Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)

    Every writer is necessarily a critic—that is, each sentence is a skeleton accompanied by enormous activity of rejection; and each selection is governed by general principles concerning truth, force, beauty, and so on.... The critic that is in every fabulist is like the iceberg—nine-tenths of him is under water.
    Thornton Wilder (1897–1975)