In classical Roman religion a genius loci was the protective spirit of a place. It was often depicted in religious iconography as a figure holding attributes such as a cornucopia, patera (libation bowl) or snake. Many Roman altars found throughout the Western Roman Empire were dedicated to a particular genius loci. The Roman imperial cults of the Emperor and the imperial house developed in part in connections with the sacrifices made by neighborhood associations (vici) to the local genius. These 265 local districts had their cult organised around the Lares Compitales (guardian spirits or lares of the crossroads), which the emperor Augustus transformed into Lares Augusti along with the Genius Augusti". The Emperor's genius is then regarded as the genius loci of the Roman Empire as a whole.
Roman examples of these Genii can be found, for example, at the church of St. Giles, Tockenham, Wiltshire where the genius loci is depicted as a relief in the wall of a Norman church built of Roman material. This shows "a youthful and curly-haired Roman Genius worked in high relief, holding a cornucopia in his left hand and a patera in his right', which previously has been "erroneously identified as Aesculapius".
Read more about Genius Loci: Contemporary Asian Usage, Western Usage, Art and Architecture, Modern Fantasy
Famous quotes containing the word genius:
“He suggested that there might be men of genius in the lowest grades of life, however permanently humble and illiterate, who take their own view always, or do not pretend to see at all; who are as bottomless even as Walden Pond was thought to be, though they may be dark and muddy.”
—Henry David Thoreau (1817–1862)