Design
The distinctive original building was designed in the late 1960s by William Pereira to sit at the head of a canyon. William Pereira & Associates prepared a detailed report in 1969. Considering the location, Pereira originally conceived of a spherical building resting atop a pedestal, with the structural elements on the inside. After several drafts of this ball-shaped design, the structural elements were deemed as being too space-consuming, and they were moved to the outside of the structure, essentially resulting in the current "lantern" design. Pereira envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. The tower is a prime example of brutalist architecture. It rises 8 stories to a height of 110 ft (33.5 m). The four upper stories of the tower itself house the SSHL and East Asia collections.
A photo of the building taken by Julius Shulman was used as the cover image for James Steele's chronicle of Pereira's career, called simply William Pereira.
The Library Addition, designed by Gunnar Birkerts in the early 1990s, was "deliberately designed to be subordinated to the strong, geometrical form of the existing library." Within its two subterranean levels are the other library sections as well as study spaces and computer labs.
Read more about this topic: Geisel Library
Famous quotes containing the word design:
“Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you.”
—Henry David Thoreau (1817–1862)
“To nourish children and raise them against odds is in any time, any place, more valuable than to fix bolts in cars or design nuclear weapons.”
—Marilyn French (20th century)
“The reason American cars don’t sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That’s why the American auto industry is in trouble: no design, no desire.”
—Karl Lagerfeld (b. 1938)