Gay Street (Baltimore)

Gay Street is a street in Baltimore, Maryland that gets its name from Nicholas Ruxton Gay, who surveyed the area in 1747. It begins at the intersection of East Pratt Street near the Baltimore World Trade Center (at the Inner Harbor) and proceeds north and east through Baltimore until it crosses Orleans Street (U.S. Route 40) and becomes Ensor Street. According to the Baltimore City web site, the Gay Street corridor escaped the Great Baltimore Fire in 1904.

Urban development in the 1970s essentially cut Gay Street in half in east Baltimore. Oldtown Mall, a retail strip that spans from Orleans to Aisquith and Monument Streets, was converted from a working street to a pedestrian mall. The street from that point north to Chase Street was essentially paved over, and the land was fitted into the surrounding street grid. Despite the rebuild, there are still a few housing units in the area that still follow the angular path that Gay Street cut through the neighborhood. Just north of Monument Street next to the Cain athletic field, there is a well-worn pedestrian path that follows the old route of Gay Street in defiance of the grass and meandering concrete sidewalk that borders the park.

Gay Street continues north from Chase, is briefly cut by the recently rebuilt (2000s) median of Broadway, then continues up to (and ends at) North Avenue, also known as U.S. Route 1 and U.S. Route 40 Truck through Baltimore city.

Famous quotes containing the words gay and/or street:

    O ruddier than the cherry,
    O sweeter than the berry,
    O Nymph more bright
    Than moonshine night,
    Like kidlings blithe and merry.
    Ripe as the melting cluster,
    No lily has such lustre,
    Yet hard to tame,
    As raging flame,
    And fierce as storms that bluster.
    —John Gay (1685–1732)

    The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.
    Jean Szarkowski (b. 1925)