Origin of The Term
An early use of the term was when the English critic Kenneth Tynan proposed an article to Playboy editor A.C. Spectorsky in late 1967 on the "Homosexual Mafia" in the arts. Spectorsky declined, although he admitted that "culture hounds were paying homage to faggotismo as they have never done before". Playboy would run a panel on homosexual issues in April 1971.
The term "Velvet Mafia" was first used in an article in the "Top of the Pop" column in the entertainment section of the Sunday New York Daily News in the 1970s by journalist Steven Gaines to describe the executives at the Robert Stigwood Organization, a British film and record company. The phrase was later used by the same writer in a roman à clef about Studio 54 called The Club in reference to the influential gay crowd that became the club's habitués. This "mafia" included Calvin Klein, Truman Capote, Halston and Andy Warhol. The term was tongue-in-cheek, describing a powerful social clique, not some truly devious alliance ruling either an industry or politics.
Gradually, velvet came to be replaced with gay. The term may have gained wider social prominence after it was used in a 1995 Spy article and a 2002 Vanity Fair article.
Read more about this topic: Gay Mafia
Famous quotes containing the words origin of the, origin of, origin and/or term:
“The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.”
—Charles Sanders Peirce (1839–1914)
“In the woods in a winter afternoon one will see as readily the origin of the stained glass window, with which Gothic cathedrals are adorned, in the colors of the western sky seen through the bare and crossing branches of the forest.”
—Ralph Waldo Emerson (1803–1882)
“The essence of morality is a questioning about morality; and the decisive move of human life is to use ceaselessly all light to look for the origin of the opposition between good and evil.”
—Georges Bataille (1897–1962)
“In eloquence, the great triumphs of the art are when the orator is lifted above himself; when consciously he makes himself the mere tongue of the occasion and the hour, and says what cannot but be said. Hence the term abandonment, to describe the self-surrender of the orator.”
—Ralph Waldo Emerson (1803–1882)