Gary Mitchell - Works

Works

Plays
  • Independent Voice (1993) Tinderbox, Belfast
  • Alternative Future (1994) Point Fields, Belfast
  • That Driving Ambition (1995) Replay, Belfast
  • Sinking (1997) Replay, Belfast
  • In a Little World of Our Own (1997) Peacock, Dublin
  • As the Beast Sleeps (1998) Peacock, Dublin
  • Tearing the Loom (1998) Lyric, Belfast
  • Trust (1999) Royal Court Upstairs, London
  • Energy (1999) Playhouse, Londonderry
  • Holding Cell (2000) Tinderbox, Belfast
  • Marching On (2000) Lyric, Belfast
  • The Force of Change (2000) Royal Court Upstairs/Downstairs, London
  • Loyal Women (2003) Royal Court Downstairs, London
  • Remnants of Fear (2005) Dubbeljoint, Belfast
  • Suicide Blonde (2010) Old Red Lion, London
  • Love Matters (2012) Aisling Ghear, Belfast
Radio Plays
  • The World, the Flesh and the Devil (1991) BBC Radio 4
  • Independent Voice (1993) BBC Radio 4
  • A Tearful of Dreams (1993) BBC Radio 4
  • Poison Hearts (1994) BBC Radio 4
  • Stranded (1995) BBC Radio 3
  • Mandarin Lime (1995)with Jimmy Murphy BBC Radio 3
  • Dividing Force Episode One: Above the Law (1995) BBC Radio 4
  • Dividing Force Episode Two: Raising the Standard (1995) BBC Radio 4
  • Dividing Force Episode Three: Useless Tools (1995) BBC Radio 4
  • Drumcree (1996) BBC Radio 4
  • At the Base of the Pyramid (1997) BBC Radio 4
  • As the Beast Sleeps (2001) BBC Radio 4
  • The Force of Change (2002) BBC Radio 4
  • Loyal Women (2003) BBC Radio 4
  • Just 'Cause (2008) RTE Radio 1
  • Forgotten People Part One (2009) RTE Radio 1
  • Forgotten People Part Two (2009) RTE Radio 1
  • Echoes of War (2009) BBC Radio 3
  • Ian Really Likes Mary (2010) RTE Radio 1
  • Freedom of Poverty (2011) RTE Radio 1
  • Babies (2012) RTE Radio 1
Film
  • Made in Heaven (1996) BBC Education
  • An Officer From France (1998) RTE 1
  • As the Beast Sleeps (2002) BBC 2
  • Suffering (2003) Writer/Director

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Famous quotes containing the word works:

    “To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
    —G.C. (Georg Christoph)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “On pragmatistic principles, if the hypothesis of God works satisfactorily in the widest sense of the word, it is true.”
    —William James (1842–1910)