Garth Marenghi - Character

Character

Garth Marenghi is a spoof pulp horror author; his act, and his works are considered a parody of the horror genre. The name "Garth Marenghi" is an anagram of the phrase "argh nightmare."

The character is highly conceited, often describing himself through epithets such as "the dream weaver", "shaman", "titan of terror", "The One Man Fear Factory" and "master of the macabre." In interviews, he compares himself positively with James Joyce, Shakespeare, Leonardo da Vinci and Jesus.

Despite this, Marenghi displays a general ignorance of many subjects of which he claims knowledge. He claims to be self-taught, having left school young ("I knew by the age of eight that my education had finished"), and he rarely reads books. When he needs to learn about a subject, he will "hire someone to go and find out about it." In both stage shows, in the official website, and in numerous interviews he claims to have written more books than he has read.

Marenghi displays other traits including sexism and xenophobia. He is depicted as married with four daughters, though disappointed at not having a son. The Darkplace episode "Skipper the Eye Child" explains this, and references this in its plot with Marenghi's character Rick Dagless shown as having a deceased son who was half boy, half grasshopper.

Read more about this topic:  Garth Marenghi

Famous quotes containing the word character:

    If there be no nobility of descent in a nation, all the more indispensable is it that there should be nobility of ascent—a character in them that bear rule, so fine and high and pure, that as men come within the circle of its influence, they involuntarily pay homage to that which is the one pre-eminent distinction, the Royalty of Virtue.
    Henry Codman Potter (1835–1908)

    What is character but the determination of incident? What is incident but the illustration of character?
    Henry James (1843–1916)

    Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.
    Willa Cather (1873–1947)