Literature
Although a written literary tradition exists, Gallo is more noted for extemporised story-telling and theatrical presentations. Given Brittany's rich musical heritage, contemporary performers produce a range of music sung in Gallo (see Music of Brittany).
The roots of written Gallo literature are traced back to Le Livre des Manières written in 1178 by Etienne de Fougères, a poetical text of 336 quatrains and the earliest known Romance text from Brittany, and to Le Roman d'Aquin, an anonymous 12th century chanson de geste transcribed in the 15th century but which nevertheless retains features typical of the mediaeval Romance of Brittany. In the 19th century oral literature was collected by researchers and folklorists such as Paul Sébillot, Adolphe Orain, Amand Dagnet and Georges Dottin. Amand Dagnet (1857-1933) also wrote a number of original works in Gallo, including a play La fille de la Brunelas (1901).
It was in the 1960s that a concerted effort to stimulate Gallo literature started. In 1979 Alan J. Raude published a proposed standardised orthography for Gallo.
Read more about this topic: Gallo Language
Famous quotes containing the word literature:
“Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.”
—Alexander Solzhenitsyn (b. 1918)
“Just as it is true that a stream cannot rise above its source, so it is true that a national literature cannot rise above the moral level of the social conditions of the people from whom it derives its inspiration.”
—James Connolly (1870–1916)
“Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.”
—Sara Lawrence Lightfoot (20th century)