Museum
Between 1947 and 1986, it contained the Musée du Jeu de Paume, which held many important impressionist works now housed in the Musée d'Orsay. Widely considered as the "most famous museum of impressionist painting in the world", the rooms bore names such as Salle Degas, Salle Cézanne, or Salle Monet. From 1989, as part of the Grands Projets of François Mitterrand, the building underwent a $10 million renovation by architect Antoine Stinco, resulting in about 12,700 square feet of exhibition space spread across three floors. The formerly walled-in reception hall was transformed into an atrium-like open area flooded with natural light from large bay windows, allowing views of the neighboring Tuileries Gardens, Place de la Concorde, and Eiffel Tower. The top floor features a series of skylighted galleries.
In 1991, the Jeu de Paume reopened as "France's first national gallery of contemporary art", with an exhibition devoted to Jean Dubuffet. Subsequent retrospectives were dedicated to international artists such as Marcel Broodthaers (1991), Robert Gober (1991), Ellsworth Kelly (1992), Helio Oiticica (1992), and Eva Hesse (1993). In 1999, the museum chose American architect Richard Meier as the subject of its first-ever architectural exhibition. Since 2004 the Jeu de Paume has developed into a centre for modern and postmodern photography and media, mounting survey exhibitions on Ed Ruscha (2006), Cindy Sherman (2006), Martin Parr (2009), and William Kentridge (2010), among others.
Read more about this topic: Galerie Nationale Du Jeu De Paume
Famous quotes containing the word museum:
“The Museum is not meant either for the wanderer to see by accident or for the pilgrim to see with awe. It is meant for the mere slave of a routine of self-education to stuff himself with every sort of incongruous intellectual food in one indigestible meal.”
—Gilbert Keith Chesterton (1874–1936)
“A fine-looking mill, but no machinery inside.”
—Hawaiian saying no. 1702, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“[A] Dada exhibition. Another one! What’s the matter with everyone wanting to make a museum piece out of Dada? Dada was a bomb ... can you imagine anyone, around half a century after a bomb explodes, wanting to collect the pieces, sticking it together and displaying it?”
—Max Ernst (1891–1976)