Film Career
Sondergaard made her first film appearance in Anthony Adverse (1936) as "Faith Paleologue" and became the first recipient of the Academy Award for Best Supporting Actress for this performance. Her career as an actress flourished during the 1930s, and included a role opposite Paul Muni in The Life of Emile Zola (1937).
During pre-production of MGM's classic The Wizard of Oz (1939), an early idea was to have the Wicked Witch of the West portrayed as a slinky, glamorous villainess in a black sequined costume, inspired by the Wicked Queen in Walt Disney's Snow White and the Seven Dwarfs (1937). Sondergaard was originally cast as the witch in "Oz" and was photographed for two wardrobe tests, both of which survive. One was as a glamorous wicked witch, and another as a conventionally ugly wicked witch. After the decision was made to have an ugly wicked witch, Sondergaard, reluctant to wear the disfiguring makeup and fearing it could damage her career, withdrew from the role, and it went to veteran character actress Margaret Hamilton. Sondergaard was, however, cast as the sultry and slinky Tylette (a magically humanized, but devious, cat) in 1940s The Blue Bird — Fox's answer to Oz.
In 1940, she played the role of the exotic and sinister wife in The Letter, supporting Bette Davis. She received a second Academy Award nomination as Best Supporting Actress for her role as the King's principal wife in Anna and the King of Siam in 1946.
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