Works
- La D.S. is one of Orozco's largest works; a silver Citroën DS was sliced into three pieces lengthwise. The middle section was removed and the two remaining pieces were fastened together, forming an arrow-like car with a width 63.5 cm (25 inches) less than the original. Visitors may sit in the new vehicle and the doors and trunk can be opened, though it was not made to drive.
- The 1994 sound piece, Ligne d'abandon based on the screeching sound of a car wheel, made in collaboration with Manuel Rocha Iturbide at Galerie Chantal Crousel in Paris.
- The 1996 creation, Oval with Pendulum is a small round pocket-less billiards table with a suspended ball.
- Yielding Stone is a large ball of plasticine (modeling clay) that was rolled down city streets in 1992, making impressions in the ball and collecting various debris. The ball ultimately weighed as much as Orozco himself.
- Extension of Reflection (1992) is a photograph of ripples from a bike passing through a puddle. It exemplifies the typical pictures Orozco takes: those that focus on chance and fleeting events.
- Breath on Piano (1993) is another such picture, capturing the fog from Orozco's breathing.
- Mis Manos son mi Corazón (1991) is a set of two photographs of the torso of a bare-chested Orozco. The first depicts him squeezing his hands around a ball of clay; the second shows him unfolding his hands and the resulting heart-shaped clay form is held in front of his chest.
- Horses Running Endlessly is an enlarged chess field of 256 square tiles. Knights of four distinct colors are arranged around the board.
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Famous quotes containing the word works:
“I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
—Henry David Thoreau (18171862)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (17451833)
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (17001748)