Career
He became a close friend to M. S. Viswanathan (MSV) while working under S. M. Subbaiah Naidu during the late 1940s. They shared the same room in Jupiter Lodge, Madras when MSV was offered to compose some songs for Genova. When N. S. Krishnan offered an opportunity to M. S. Viswanathan and T. K. Ramamoorthy to compose music for Panam (1952) for Madras Pictures, GKV became a part of their troupe. He had a chance to sing Ezhayin Kovilai Naadinaen in Panam which was also Sivaji Ganesan’s second film. He was named as their assistant by M. S. Viswanathan and T. K. Ramamoorthy.
In 1952, he composed music independently for a Malayalam film, which was also dubbed in Tamil as Nadigai. In 1955, he started to compose music for a Kannada film named Sodari starring Rajkumar (his second film) and Pandaribai along with H. R. Padmanabha Shastry. Since then he became a much sought after and one of the successful music directors in Kannada films along with T. G. Lingappa and Vijaya Bhaskar. He was showered with offers where he composed music from Ohileshwara (1955) till Kalitaaru Henne (1963) in a row. GKV launched P. B. Sreenivos as a successful in Kannada films.
He came back to Tamil films in 1964 for Thirumagal Films movie Magale Un Samathu. Since then he began to compose music for both Tamil and Kannada films.
In the late 1960s, it is notable that Ilaiyaraja and L. Vaidyanathan were playing instruments under GKV's troupe, assisting to compose music.
Read more about this topic: G. K. Venkatesh
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