History of Italian Futurism
In 1912, three years after Marinetti's Futurist Manifesto, Antonio Sant'Elia and Mario Chiattone take part to the Nuove Tendenze exhibition in Milano. In 1914 the group presented their first exposition with a "Message" by Sant'Elia, that later, with the contribution of Filippo Tommaso Marinetti, became the Manifesto dell’Architettura Futurista ("Manifesto of Futurist Architecture"). Also Boccioni unofficially worked on a similar manifesto, but Marinetti preferred Sant'Elia's paper.
Later in 1920, another manifesto was written by Virgilio Marchi, Manifesto dell’Architettura Futurista–Dinamica ("Manifesto of Dynamic Instinctive Dramatic Futurist Architecture"). Ottorino Aloisio worked in the style established by Marchi, one example being his Casa del Fascio in Asti.
Another futurist manifesto related to architecture is the Manifesto dell’Arte Sacra Futurista ("Manifesto of Sacred Futurist Art") by Fillia (Luigi Colombo) and Filippo Tommaso Marinetti, published in 1931. On 27 January 1934 it was the turn of the Manifesto of Aerial Architecture by Marinetti, Angiolo Mazzoni and Mino Somenzi. Mazzoni had publicly adhered to futurism only the year before. In this paper the Lingotto factory by Giacomo Matté-Trucco is defined as the first Futurist constructive invention. Mazzoni himself in those years worked on a building considered today a masterpiece of futurist architecture, like the Heating plant and Main controls cabin at Santa Maria Novella railway station, in Florence.
Read more about this topic: Futurist Architecture
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