Criticism
Some prosecutors and law enforcement professionals are strongly opposed to the notion that juries can nullify undesirable laws. FIJA has been accused of monkeywrenching the justice system. In 2008, Clay Conrad, author of Jury Nullification: The Evolution of a Doctrine, quit the organization, stating that it was "so centered on jury nullification that it was ignoring the numerous threats that exist to the jury as an institution," as evidenced by the fact that the percentage of cases going to jury trial is continually shrinking. Executive Director Iloilo M. Jones described his parting comments as sour grapes motivated by his disappointment at not being able to shift FIJA's focus toward preparing attorneys to pursue jury nullification. FIJA has been condemned as a threat to the system of rule of law rather than rule of men. According to Erick J. Haynie, "it is highly questionable whether jurors should be instructed to 'make' the law when a legislative body has already done the job for them. Congress and the state legislatures have superior expertise, resources and perspective to make macro-social decisions, and much more time to reach a well-reasoned decision than does 'a group of twelve citizens of no particular distinction snatched away from their primary vocations' to spend a couple of days in court.'"
Read more about this topic: Fully Informed Jury Association
Famous quotes containing the word criticism:
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (1817–1862)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)