The Racket (formerly 3 Hours of Power and Full Metal Racket) is an Australian heavy metal radio show airing on alternative youth broadcaster Triple J. The show currently airs at 10pm on Tuesday nights and is hosted by Lochlan Watt.
The name is an obvious allusion to the popular Kubrick war film Full Metal Jacket.
A notable, now former segment of the program is the 'Corpse Classic' - 3 songs played throughout the show off a pre-1987 heavy metal vinyl. Bands featured on this segment have been: Bathory, Suicidal Tendencies, Mötley Crüe and Spinal Tap, Iron Maiden among others. The 'Corpse Classic' was replaced with the similarly themed 'Heavy Metal Troopers' in 2008 because of 'running out of vinyl'.
Heavy Metal Troopers involves playing songs by a band that has put out 6 or more albums, regardless of their activity. Artists to be featured so far include Deicide, Death and Australian figureheads Alchemist.
Other regular segments on the show are "Metal Gods" and "Living After Midnight - Priest Salute". Metal Gods (named after the song by Judas Priest and using the chorus from the song as its intro) is a trivia segment, where callers must correctly answer three questions to be crowned "Metal God". Living After Midnight, also named after Judas Priest, occurs as the name suggests around midnight each week, and simply involves a Judas Priest track played. It replaced the similarly themed "2 Minutes to Midnight" (an Iron Maiden salute) in mid-2008.
Read more about Full Metal Racket: Hosts, Interviews
Famous quotes containing the words full, metal and/or racket:
“These foliaceous heaps lie along the bank like the slag of a furnace, showing that Nature is “in full blast” within.”
—Henry David Thoreau (1817–1862)
“We are supposed to be the children of Seth; but Seth is too much of an effete nonentity to deserve ancestral regard. No, we are the sons of Cain, and with violence can be associated the attacks on sound, stone, wood and metal that produced civilisation.”
—Anthony Burgess (b. 1917)
“The city is loveliest when the sweet death racket begins. Her own life lived in defiance of nature, her electricity, her frigidaires, her soundproof walls, the glint of lacquered nails, the plumes that wave across the corrugated sky. Here in the coffin depths grow the everlasting flowers sent by telegraph.”
—Henry Miller (1891–1980)