Art Historian
Fu wrote numerous fine arts theses, the earliest of which, "On the Evolution of Chinese Paintings", was written at the age of 25. He also carried out in-depth research into the history of landscape painting at the end of the 4th century BC, including the works of Gu Kaizhi of the Eastern Jin Dynasty (317-420), Zhan Ziqian of the Sui Dynasty (581-618) and Jing Hao of the Five Dynasties Period (907-960), as well as Wu Daozi, Li Sixun, Li Zhaodao and Zhang Yanyuan of the Tang Dynasty (618-907). He worked very hard to imitate paintings by Gao Kegong and Ni Zan of the Yuan Dynasty (1271-1368) Chen Hongshou of the Ming Dynasty (1368-1644), and Cheng Sui, Kun Can, Zha Shibiao, Gong Xian, Mei Qing, Wui Li, Yun Shouping and Shi Tao of the Qing Dynasty (1644-1911), finally becoming one of the master painters of his age. In this capacity he succeeded Huang Binhong, who had created a new style of landscape painting called "Baoshi wrinkle" basing on the cattle-hair wrinkle of Wang Meng of the Yuan Dynasty.
Read more about this topic: Fu Baoshi
Famous quotes containing the words art and/or historian:
“Postmodern agenda: the peep show is the art form; the voyeur is the protagonist; the goal is excitement from a safe distance; the alibi is that it’s all ironic.”
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—For the State of New Hampshire, U.S. public relief program (1935-1943)