Music
The music was composed by Anthony Lledo, conducted by Allan Wilson and performed by the Slovak National Symphony Orchestra who later carried on their Swedish vampire legacy by performing the score of Let the Right One In. An album featuring much of the score is available on iTunes Store. The score was very well received by critics. Rue Morgue called it one of the most stirring horror soundtracks in recent years.
Missing from the album is Tyomnaja Notch by Leonid Utyosov that is played over the opening credits. The name of the song means "Dark Night". Other than the score the soundtrack is mostly made up of Swedish pop- and rock-music, among those Millencolin, Raised Fist, Langhorns, Quit Your Dayjob, Son Kite and then newcomers BWO. Diabolic Scheme by The Hives is played over the closing credits.
| Frostbiten: The Soundtrack | |
|---|---|
| Soundtrack album by Anthony Lledo | |
| Released | December 6, 2006 |
| Genre | Filmscore |
| Length | 32 minutes |
| Label | MovieScore Media Sweden) |
- "War" 1:23
- "Ukraine" 1944 0:53
- "Abandoned Cabin" 1:34
- "The Vampire" 2:08
- "The Coffin" 3:35
- "Saga" 0:31
- "Stake Through The Heart" 0:48
- "Talking Dog / The Kitchen" 2:03
- "Rufus, Lord Of Evil" 0:30
- "Beckert's Story" 4:48
- "Sebastian's Transformation" 1:46
- "Lamppost Lunch" 0:42
- "You Are One of Us" 1:39
- "They're All Dead / John Attacks" 1:43
- "The Hunt" 2:19
- "There You Are..." 0:56
- "Like An X" 0:41
- "Annika Stabs Beckert" 0:42
- "Hit The Lights" 0:57
- "Get The Hell Out Of Here" 0:41
- "Maria" 0:45
- "Frostbite Trailer" 1:01
Read more about this topic: Frostbite (2006 Film)
Famous quotes containing the word music:
“Nothing is capable of being well set to music that is not nonsense.”
—Joseph Addison (16721719)
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)
“For do but note a wild and wanton herd
Or race of youthful and unhandled colts
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turned to a modest gaze
By the sweet power of music.”
—William Shake{peare (15641616)