Frontier Psychiatrist - Composition

Composition

"Frontier Psychiatrist" is built around several elements sampled from other music; Chater and Seltmann, who produced the song, sampled several music from vinyl records in the production and creation of the songs from Since I Left You. The song also makes prominent use of scratching done by the band's turntablist Dexter Fabay.

The prominent orchestral sample heard throughout the track is sourced from a recording by the Enoch Light Singers of the 1968 composition "My Way of Life", originally composed by Bert Kaempfert, Herbert Rehbein and Carl Sigman.

The track also contains several vocal samples of Canadian comedy duo Wayne and Shuster, the most prominent of these samples taken from the duo's comedy routine "Frontier Psychiatrist".

Only the aforementioned two samples are credited in the liner notes of Since I Left You; various other uncredited samples are used in the song, with sources ranging from golf instructionals, Christianity records and "Reading for the Blind" tapes.

The spoken sample at the beginning ("Is Dexter ill?") comes from the John Waters film Polyester, followed by Maurice Jarre's overture from Lawrence of Arabia.

Read more about this topic:  Frontier Psychiatrist

Famous quotes containing the word composition:

    When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.
    David Hume (1711–1776)

    There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.
    Gertrude Stein (1874–1946)

    At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.
    Elizabeth Barrett Browning (1806–1861)