History
Frith Street was built in the years around 1680, and was apparently named after a wealthy builder named Richard Frith. In the 18th and early 19th centuries many artistic and literary people came to live in Soho and several settled in this street. The painter John Alexander Gresse was here in 1784, the year of his death. John Horne Tooke, philologist and politician, lived here in about 1804; John Constable lived here 1810–11; John Bell, the sculptor, in 1832–33 and William Hazlitt wrote his last essays while he was lodging at No. 6 Frith Street prior to his death there in 1830. The lithographic artist Alfred Concanen had a studio at No. 12 for many years.
Samuel Romilly, the legal reformer, was born at No. 18 in 1757, and the young Wolfgang Amadeus Mozart lodged at No. 20 with his father and sister in 1764–65. In 1816 the actor William Charles Macready was living at No. 64, and over a hundred years later, from 1924 to 1926 John Logie Baird lived at No. 22 where on 26 January 1926 he demonstrated television to members of the Royal Institution.
In 1989 Frith Street Gallery was founded here, originally occupying two adjacent townhouses. Initially it was a forum for contemporary drawing, then it expanded into a wide range of artistic media. In 2007 the gallery moved to Golden Square, just a short distance from Frith Street.
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Famous quotes containing the word history:
“We don’t know when our name came into being or how some distant ancestor acquired it. We don’t understand our name at all, we don’t know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.”
—Milan Kundera (b. 1929)
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
—Camille Paglia (b. 1947)
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)