Works
Struve's name is best known for his observations of double stars, which he carried on for many years. Although double stars had been studied earlier by William Herschel and John Herschel and Sir James South, Struve outdid any previous efforts. He discovered a very large number of double stars and in 1827 published his double star catalogue Catalogus novus stellarum duplicium.
Since most double stars are true binary stars rather than mere optical doubles (as William Herschel had been the first to discover), they orbit around one another's barycenter and slowly change position over the years. Thus Struve made micrometric measurements of 2714 double stars from 1824 to 1837 and published these in his work Stellarum duplicium et multiplicium mensurae micrometricae.
Struve carefully measured the "constant of aberration" in 1843. He was also the first to measure the parallax of Vega, although Friedrich Bessel had been the first to measure the parallax of a star (61 Cygni).
In an 1847 work, Etudes d'Astronomie Stellaire: Sur la voie lactee et sur la distance des etoiles fixes, Struve was one of the first astronomers to identify the effects of interstellar extinction (though he provided no mechanism to explain the effect). His estimate of the average rate of visual extinction, 1 mag per kpc, is remarkably close to modern estimates (0.7-1.0 mag per kpc).
He was also interested in geodetic surveying, and in 1831 published Beschreibung der Breitengradmessung in den Ostseeprovinzen Russlands. He initiated the Struve Geodetic Arc, which was a chain of survey triangulations stretching from Hammerfest in Norway to the Black Sea, through ten countries and over 2,820 km, to establish the exact size and shape of the earth. UNESCO listed the chain on its List of World Heritage Sites in Europe in 2005.
Read more about this topic: Friedrich Georg Wilhelm Von Struve
Famous quotes containing the word works:
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)