Composition
The colonial troops "the Colonial" which depend on a single General Staff, consists of two main types of units:
- Infantry and French colonial Colonial Artillery between 1900 and 1958 called "Colonial White" and composed mostly of enlisted metropolitans.
- native sharpshooters, excluding North Africa (Senegalese riflemen, sharpshooters Madagascar, Indo-Chinese sharpshooters) trained "subjects" French colonies controlled by French officers. The term "Senegalese infantry"is a generic term given to all infantry units recruited in black Africa.
- While it is sometimes used broadly to mean the troops recruited in all French colonies, and by extension, also include troops from Africa (Zouaves, Chasseurs d'Afrique, Spahis, Riflemen Algerian, Moroccan and Tunisian artillery North African Foreign Legion and services for Indigenous Affairs), which find their origin in the expeditionary force of 1830 in Algeria, and were united in the XIX Army Corps in 1873, the latter forming a well distinct from the colonial troops and should not be confused with them.
Read more about this topic: French Colonial Forces
Famous quotes containing the word composition:
“Vices enter into the composition of virtues as poisons into the composition of certain medicines. Prudence and common sense mix them together, and make excellent use of them against the misfortunes that attend human life.”
—François, Duc De La Rochefoucauld (1613–1680)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)