Architecture
The Swiss historian Jacob Burckhardt once said that the church's 116-meter tower will forever remain the most beautiful spire on earth. His remark gave rise to the frequently heard misquote of the most beautiful tower in the whole of Christianity.
The tower is nearly square at the base, and at its centre is the dodecagonal star gallery. Above this gallery, the tower is octagonal and tapered, and above this, is the spire.
It is the only Gothic church tower in Germany that was completed in the Middle Ages (1330), and miraculously, has lasted until the present, surviving the bombing raids of November 1944, which destroyed all of the houses on the west and north side of the market. The tower was subject to severe vibration at the time, and its survival of these vibrations is attributed to its lead anchors, which connect the sections of the spire. The windows had been taken out of the spire at the time, and so these also suffered no damage.
Freiburg Minster was not the seat of a bishop until 1827, long after it was built.
The tower has 16 bells, the oldest being the "Hosanna" bell from 1258, which weighs 3,290 kilograms. This bell can be heard on Thursday evening after the Angelus, on Friday at 11:00 am (a time consequently known as "Spätzleglocke"), on Saturday evenings, and each year on 27 November in remembrance of the air raid.
Read more about this topic: Freiburg Minster
Famous quotes containing the word architecture:
“And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.”
—Ralph Waldo Emerson (1803–1882)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“For it is not metres, but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.”
—Ralph Waldo Emerson (1803–1882)