A freeze frame shot is used when one shot is printed in a single frame several times, in order to make an interesting illusion of a still photograph.
"Freeze frame" is also a drama medium term used in which, during a live performance, the actors/actresses will freeze at a particular, pre-meditated time, to enhance a particular scene, or to show an important moment in the play/production like a celebration. The image can then be further enhanced by spoken word, in which each character tells their personal thoughts regarding the situation, giving the audience further insight into the meaning, plot or hidden story of the play/production/scene. This is known as thought tracking, another Drama Medium.
A very memorable freeze frame is the end of François Truffaut's The 400 Blows, a New Wave film from 1959. Director George Roy Hill frequently made use of the technique when depicting the death of a character, as in The World According to Garp (1982) and in the memorable ending to the classic western Butch Cassidy and the Sundance Kid (1969), with Paul Newman and Robert Redford.
Hong Kong director John Woo also makes extensive use of freeze frames shots, usually to gain a better focus on to a character's facial expression or emotion at a critical scene. An early use of the freeze frame in classic Hollywood cinema was Frank Capra's It's A Wonderful Life where the first appearance of the adult George Bailey (played by James Stewart) on-screen is shown as a freeze frame. This technique is used quite a lot in the film Pieces of April. The director uses this to capture special moments that are very significant.
The TV show, NCIS is one such show that uses the freeze-frame slid in addition to its phoofs- (the three-second black and white previews that are usually seen at the start of a new section of an episode). This originally began with the Season 3 premiere episode, "Kill Ari Part 1" and has continued on this day.
Famous quotes containing the words freeze, frame and/or shot:
“So in your discussions of the nuclear freeze proposals, I urge you to beware the temptation of pride—the temptation blithely to declare yourselves above it all and label both sides equally at fault, to ignore the facts of history and the aggressive impulses of an evil empire, to simply call the arms race a giant misunderstanding and thereby remove yourself from the struggle between right and wrong, good and evil.”
—Ronald Reagan (b. 1911)
“He drew the curse upon the world, and cracked
The whole frame with his fall.
This made him long for home, as loth to stay
With murmurers and foes;”
—Henry Vaughan (1622–1695)
“What constitutes a real, live human being is more of a mystery than ever these days, and men—each one of whom is a valuable, unique experiment on the part of nature—are shot down wholesale.”
—Hermann Hesse (1877–1962)