Freestyle Releasing - Selected Releases

Selected Releases

  • Modigliani (2004)
  • Fighting Tommy Riley (2005)
  • Green Street Hooligans (2005)
  • Sharkwater (2005, produced by Rob Stewart)
  • Winter Passing (2005, produced by Bob Yari)
  • Find Me Guilty (2006, produced by Bob Yari)
  • An American Haunting (2006, After Dark)
  • The Illusionist (2006, produced by Bob Yari)
  • 8 Films to Die For Film Festival (2006, After Dark)
  • The Abandoned (2007, After Dark with Lionsgate)
  • Skinwalkers (2007, After Dark with Lionsgate)
  • Kickin' It Old Skool (2007, produced by Bob Yari)
  • Captivity (2007, After Dark with Lionsgate)
  • Shortcut to Happiness (2007, produced by Bob Yari)
  • Resurrecting the Champ (2007, produced by Bob Yari)
  • Dragon Wars: D-War (2007)
  • Sarah Landon and the Paranormal Hour (2007)
  • Wristcutters: A Love Story (2007, with Lionsgate)
  • In the Name of the King: A Dungeon Siege Tale (2008)
  • Postal (2008)
  • The Haunting of Molly Hartley (2008,)
  • Nobel Son (2007)
  • Seed (2008)
  • Delgo (2008)
  • Bottle Shock (2008)
  • I Hope They Serve Beer in Hell (2009)
  • Me and Orson Welles (2009)
  • My One and Only (2009) (co-produced by George Hamilton Productions, Raygun Proudctions, Runaway Home Productions, and Merv Griffin Entertainment)
  • The Collector (2009)
  • Crazy on the Outside (2010)
  • The Nutcracker in 3D (2010)
  • Waiting for Forever (2010)
  • Dylan Dog: Dead of Night (2011)
  • A Little Help (2011)
  • The Mighty Macs (2011)
  • The Road (2012) (distribution only, produced by GMA Films)

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Famous quotes containing the words selected and/or releases:

    “The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
    —Walter Bagehot (1826–1877)

    “We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
    —Bertolt Brecht (1898–1956)