Content
The album features a double quartet, one in each stereo channel. The personnel consists of Coleman's touring quartet, augmented by returning Coleman Quartet drummer Billy Higgins, multi-instrumentalist Eric Dolphy, and trumpeter Freddie Hubbard. Bassist Scott LaFaro, whom Coleman had worked with the previous two days on sessions for Gunther Schuller, would both appear on this album and replace bassist Charlie Haden in the Quartet for Coleman's next album, Ornette!.
The rhythm sections play simultaneously, and though there is a succession of solos as is usual in jazz, they are peppered with freeform commentaries by the other horns that often turn into full-scale collective improvisation. The pre-composed material is a series of brief, dissonant fanfares for the horns which serve as interludes between solos. Not least among the album's achievements was that it was the first album-length improvisation, nearly forty minutes, which was unheard of at the time.
The original LP package incorporated Jackson Pollock's 1954 painting The White Light. The cover was a gatefold with a cutout window in the lower left corner, allowing a glimpse of the painting; opening the cover revealed the full artwork, along with liner notes by critic Martin Williams.
Read more about this topic: Free Jazz: A Collective Improvisation
Famous quotes containing the word content:
“Crude men who feel themselves insulted tend to assess the degree of insult as high as possible, and talk about the offense in greatly exaggerated language, only so they can revel to their heart’s content in the aroused feelings of hatred and revenge.”
—Friedrich Nietzsche (1844–1900)
“We can’t forever be spending our lives paying for political follies that never gave us anything but always took from us, and I am content with the narrowest metes and bounds provided I have peace and quiet for work.”
—Stefan Zweig (18811942)
“I would like you to understand completely, also emotionally, that I’m a political detainee and will be a political prisoner, that I have nothing now or in the future to be ashamed of in this situation. That, at bottom, I myself have in a certain sense asked for this detention and this sentence, because I’ve always refused to change my opinion, for which I would be willing to give my life and not just remain in prison. That therefore I can only be tranquil and content with myself.”
—Antonio Gramsci (1891–1937)