Reception
Andrew Leonard in Salon complimented the amount of new information Williams reveals about Stallman, given the amount of material already published. He describes the book as a "nuanced, detailed picture of Stallman". In Computer User, Jende Huang referred to the book as "straightforward" and wrote, "the juxtaposition of Stallman's public and private personae is the key to the book's appeal." He summarized that the book is "a worthwhile read for its chronicle of an important part of the free software movement, as well as its insight into Stallman as a person." In Italian VITA, Bernardo Parrella described its "greatest merit" to be its "new perspective" on the issues at stake for Free Software and the computer industry as a whole, and its interweaving of Stallman's personal life and complex technical developments to be "gripping". He noted that the book is an important "real time" biography, full of references to other books, publications and web links, about a man who is misunderstood, and underestimated. In a review for Sys-Con, Mike McCallister describes the book as an "easy introduction to Stallman's career and ideas, but at this length cannot go into great depth." He mentions one section as "very funny", but "all too-brief" coverage of another topic, or none at all (GNOME).
Read more about this topic: Free As In Freedom: Richard Stallman's Crusade For Free Software
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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