Paintings in Public Collections
Paintings by Lee in public collections are (in chronological order):
| Displayed at | Name | Size | Date |
| Tate Gallery | Cover Side | 48 cm x 40 cm | 1839 |
| Penrhyn Castle | The River Ogwen at Cochwillan Mill | 1849 | |
| Tate Gallery | Evening in the Meadows | 93 cm x 122 cm | 1854 |
| Tate Gallery | A River Scene | 127 cm x 183 cm | 1855 |
| Norwich Castle | Mill on Ogwen River | 25 cm x 35 cm | 1857 |
| de Young Museum, San Francisco | The Overhanging Trees | 84.5 cm x 109.9 cm | 1865 |
| Met Museum | Garibaldi's Residence in Caprera | 87 cm x 138.1 cm | 1865 |
| Barnstaple Museum | The River Taw, and the North Devon Railway | 1868 | |
| Royal Academy | Morning in the Meadows | 112 cm x183cm | 1869 |
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Famous quotes containing the words paintings in, paintings, public and/or collections:
“the great orange bed where we lie
like two frozen paintings in a field of poppies.”
—Anne Sexton (1928–1974)
“All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
—John Berger (b. 1926)
“Navajo men and boys have an odd way of showing their friendship. When two young men meet at the trading post, a “Sing”, or a dance they greet each other, inquire about the health of their respective families, then stand silently some ten or fifteen minutes while one feels the other’s arms, shoulders, and chest.”
—Administration in the State of Ariz, U.S. public relief program (1935-1943)
“Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)