Frederick Christian Lewis

Frederick Christian Lewis (1779–1856) was an English etcher, aquatint and stipple engraver, landscape and portrait painter and the brother of Charles Lewis (1786–1836). He studied under J. O. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris, 1803. He made transcripts of drawings by the Old masters for William Young Ottley's Italian School of Design 1808-12 and executed plates for the publisher John Chamberlaine's Original Designs of the most celebrated Masters in the Royal Collection, 1812. He engraved Sir Thomas Lawrence's crayon portraits and was engraver of drawings to Princess Charlotte, Prince Leopold, George IV, William IV, and Queen Victoria. He also painted landscapes, mainly of Devonshire scenery and published several volumes of plates depicting the Devonshire rivers between 1821 and 1843, as well as etchings of the Scenery of the Rivers of England and Wales 1845-7.

Lewis transformed numerous natural history paintings by Philip Reinagle into aquatints. His superlative skills as engraver led to frequent commissions from Royalty, and to his contribution to J. M. W. Turner's Liber Studiorum, a collection of seventy-one etchings with mezzotint, greatly influencing landscape painting.

His son, John Frederick Lewis (1805–1876), was a painter of Italian, Spanish, and Oriental themes.

Another son, also named Frederick Christian Lewis (1813–1875), studied under Sir Thomas Lawrence, went to India, 1834, and painted pictures of durbars for native princes, engraved by his father, and published in England. He died at Genoa.

Famous quotes containing the words frederick, christian and/or lewis:

    But since ‘tis only Fred,
    Who was alive and is dead,
    There’s no more to be said.
    —Unknown. On Prince Frederick (l. 11–13)

    Freudianism is much more nearly a religion than a science, inasmuch as the relation between analyst and patient has a great deal in common with that between priest and communicant at confessional, and such ideas as the Oedipus complex, the superego, the libido, and the id exert an effect upon the converted which is almost identical with what flows to the devout Christian from godhead, trinity, grace, and immortality.
    Robert Nisbet (b. 1913)

    When we say “science” we can either mean any manipulation of the inventive and organizing power of the human intellect: or we can mean such an extremely different thing as the religion of science the vulgarized derivative from this pure activity manipulated by a sort of priestcraft into a great religious and political weapon.
    —Wyndham Lewis (1882–1957)