Frederic Colier - Career

Career

Colier has produced and edited multiple film projects. He wrote and directed the short films, Of Wanderlust (2003), Desert Weeds (2004), which screened nationally and internationally and won awards on the festival circuit (Clermont-Ferrand, France; Izmir, Turkey; WorldFest Houston, Fire Island, NY), Bounce (2005). He completed his feature debut with The Hindenburg Omen (2008). His film M & N will follow early next year.

He has also written a number of theatre and literary fiction. He has written, produced, and directed theatrical plays on both sides of the ocean, notably Barbed-Wire Hearts and Heartbreak Tango. He has written two novels, Barabane! Barabane! and Traîte d'Union, and the collection of short stories Témoignages Crépusculaires. He has also authored the play collection, Playground for Talking Heads, the novel, The Rain Crow, as well as the short story collection, A Memoir of Absence.

Read more about this topic:  Frederic Colier

Famous quotes containing the word career:

    “Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
    —Letty Cottin Pogrebin (20th century)

    “A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
    —Ishmael Reed (b. 1938)

    “He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
    —George Eliot [Mary Ann (or Marian)