Freddie Young - Selected Films

Selected Films

  • Victory (1928)
  • Canaries Sometimes Sing (1930)
  • Rookery Nook (1930)
  • White Cargo (1930)
  • Carnival (1931)
  • The Chance of a Night Time (1931)
  • Tilly of Bloomsbury (1931)
  • The Speckled Band (1931)
  • The Blue Danube (1932)
  • Good Night, Vienna (1932)
  • Bitter Sweet (1933)
  • A Cuckoo in the Nest (1933)
  • Nell Gwynn (1934)
  • Peg of Old Drury (1935)
  • Escape Me Never (1935)
  • When Knights Were Bold (1936)
  • The Frog (1936)
  • Limelight (1936)
  • Two's Company (1936)
  • Victoria the Great (1937)
  • Millions (1937)
  • Sixty Glorious Years (1938)
  • Nurse Edith Cavell (1939)
  • Goodbye, Mr. Chips (1939)
  • Busman's Honeymoon (1940)
  • Contraband (1940)
  • 49th Parallel (1941)
  • The Young Mr. Pitt (1942)
  • Caesar and Cleopatra (1945)
  • Bedelia (1946)
  • So Well Remembered (1947)
  • While I Live (1947)
  • The Winslow Boy (1948)
  • Treasure Island (1950)
  • Ivanhoe (1952)
  • Mogambo (1953)
  • Knights of the Round Table (1953)
  • Lust for Life (1956)
  • Invitation to the Dance (1956)
  • Bhowani Junction (1956)
  • Island in the Sun (1957)
  • The Barretts of Wimpole Street (1957)
  • The Inn of the Sixth Happiness (1958)
  • Gideon's Day (1958)
  • Indiscreet (1958)
  • I Accuse! (1958)
  • Solomon and Sheba (1959)
  • The Greengage Summer (1961)
  • Lawrence of Arabia (1962)
  • Lord Jim (1965)
  • Rotten to the Core (1965)
  • Doctor Zhivago (1965)
  • The Deadly Affair (1966)
  • You Only Live Twice (1967)
  • Battle of Britain (1969)
  • Ryan's Daughter (1970)
  • Nicholas and Alexandra (1971)
  • The Asphyx (1973)
  • Luther (1973)
  • The Blue Bird (1976)
  • Stevie (1978)
  • Rough Cut (1980)

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Famous quotes containing the words selected and/or films:

    “The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
    —Walter Bagehot (1826–1877)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)