Music
Along with Heinrich Scheidemann and Matthias Weckmann, Tunder was one of the most important members of the North German organ school; however, few of his works are preserved.
His surviving output suggests a marked preference for the chorale fantasia style, though he is also known for chorale versets, such as his setting of Jesus Christus unser Heiland, notable in particular for the opening pedal flourish (probably the earliest surviving example of an opening pedal solo in an organ work), a technique that was to be more fully exploited by Dietrich Buxtehude.
Read more about this topic: Franz Tunder
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