Production
This was the sixth and last time that Peter Cushing portrayed the role of the obsessively driven Baron Frankenstein, a part he originated in 1957's The Curse of Frankenstein. Cushing had long been known throughout his career for his meticulous attention to detail, even in the planned handling and usage of props. For this film, he helped to design the wig that he wore, but years afterward regretted the outcome, and jokingly quipped that it made him look more like stage and screen actress Helen Hayes. But Cushing's dedication to his role was never truly dampened, and at age 59, looking somewhat gaunt and fragile, he still insisted upon performing a daring stunt which required him to leap from a tabletop onto the hulking creature's back, spinning wildly in circles in order to subdue the monster gone amok with a sedative.
David Prowse makes his second appearance as a Frankenstein laboratory creation in this film, his first having been in The Horror of Frankenstein. He's the only actor to have played a Hammer Frankenstein's monster more than once. During the DVD commentary session for this movie, Prowse said that his daily transformation into "The Monster From Hell" went fairly quickly, being able to suit up and pull on the mask in only about 30 minutes – whereas his time in the make-up chair for his previous Hammer monster role typically required several tedious hours.
Read more about this topic: Frankenstein And The Monster From Hell
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)