Production
This was the sixth and last time that Peter Cushing portrayed the role of the obsessively driven Baron Frankenstein, a part he originated in 1957's The Curse of Frankenstein. Cushing had long been known throughout his career for his meticulous attention to detail, even in the planned handling and usage of props. For this film, he helped to design the wig that he wore, but years afterward regretted the outcome, and jokingly quipped that it made him look more like stage and screen actress Helen Hayes. But Cushing's dedication to his role was never truly dampened, and at age 59, looking somewhat gaunt and fragile, he still insisted upon performing a daring stunt which required him to leap from a tabletop onto the hulking creature's back, spinning wildly in circles in order to subdue the monster gone amok with a sedative.
David Prowse makes his second appearance as a Frankenstein laboratory creation in this film, his first having been in The Horror of Frankenstein. He's the only actor to have played a Hammer Frankenstein's monster more than once. During the DVD commentary session for this movie, Prowse said that his daily transformation into "The Monster From Hell" went fairly quickly, being able to suit up and pull on the mask in only about 30 minutes – whereas his time in the make-up chair for his previous Hammer monster role typically required several tedious hours.
Read more about this topic: Frankenstein And The Monster From Hell
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)