Frank Parkin - Writing Style

Writing Style

Parkin's works, at least those from the late '70s and onwards, are notable for their lively discursive tone, frequently using sarcasm and irony in driving home their points. This was noted by many reviewers of Marxism and class theory. Dennis Wrong called it a 'bitingly witty and incisive assault on the sociological pretensions of western academic Marxism'. Guenter Roth remarked: 'This is an unusually well-written essay. Its wit, sense of irony, and elegance of phrase add stylistic power to a trenchant critique of Marxist class theories and to "re- thinking class analysis"...'. Gavin Mackenzie called it "a beautifully written, savage and supremely witty attack' on Marxism: 'I haven't laughed so much since ethnomethodology'. Anthony Giddens commented on the 'vivid change in writing style': While Class inequality and political order(1971) was 'written neutrally and dispassionately', Marxism and class theory was marked by a 'deliberatively provocative tone'. 'Parkin's discussion of contemporary marxist accounts of class is heavily ironic and often openly sarcastic.' Giddens drew particular attention to the first page of the Preface:.

Lenin's wry comments on the efflorescence of Marxism in Russia at the turn of the century seem quite pertinent to our own time and place:

'Marxist books were published one after another, Marxist jour-nals and newspapers were founded, nearly everyone became a Marxist, Marxists were flattered, Marxists were courted and the book publishers rejoiced at the extraordinary, ready sale of Marxist literature.'

Lenin was not too enthusiastic about a species of Marxism that appeared to be more congenial to the literati than to the class that really mattered. On these grounds alone, it is unlikely that he would have felt very differently about the Marxist products that have been manufactured and marketed in western universities over the past decade or so. Contemporary western Marxism, unlike its classical predecessor, is wholly the creation of academic social theorists - more specifically, the creation of the new professoriate that rose up on the wave of university expansion in the 1960s. The natural constituency of this Marxism is not of course the working class, but the massed ranks of undergraduates and postgraduate students in the social sciences; its content and design mark it out exclusively for use in the lecture theatre, the seminar room, and the doctoral dissertation. Hence the strange and fascinating spectacle to be witnessed in social science faculties throughout western Europe and beyond of diligent bands of research students and their mentors busily combing through the pages of Theories of Surplus Value in search of social reality.

Parkin continues:

As if to make secure its newly-won respectability, professorial Marxism has, in the manner of all exclusive bodies, carried out its discourse through the medium of an arcane language not readily accessible to the uninstructed. Certainly no-one could possibly accuse the Marxist professoriate of spreading the kind of ideas likely to cause a stampede to the barricades or the picket lines. Indeed, the uncomplicated theory that has traditionally inspired that sort of extra-mural activity is now rather loftily dismissed as 'vulgar' Marxism - literally, the Marxism of the 'common people'. This is not necessarily to suggest that the new breed of Marxists are less dedicated than the old to the revolutionary transformation of society; their presence at the gates of the Winter Palace is perfectly conceivable, provided that satisfactory arrangements could be made for sabbatical leave.

Parkin's wit was not exclusively reserved for Marxist academics. The passage quoted below follows a sharply critical review of American theories of stratification, particularly their interpretation of Weber:

... one searches these various offerings in vain for any trace of the persistent Weberian concerns with property or state bureaucracy or class antagonisms and structural change; or for any small recognition that for Weber the "dimensions" of stratification were never regarded as aggregates of individual attributes but as "phenomena of the distribution of power." Instead, the American reality portrayed gives every appearance of a society in which property has been liquidated, classes have dissolved, and the state has withered away. It is a sociological portrait of America as drawn by Norman Rockwell for the Saturday Evening Post. One can only surmise whether Weber, if confronted with the knowledge of the things said and written in his name, would take a leaf out of his predecessor's book and declare, "Je ne suis pas Weberien".