Frank Gohlke - Selected One and Two Person Exhibitions

Selected One and Two Person Exhibitions

  • Art Institute of Chicago (with Edward Ranney) 1974
  • Light Gallery, New York, NY 1975,1978,1981,1982
  • Amon Carter Museum of Western Art, Ft. Worth, TX 1975
  • "Grain Elevators," The Museum of Modern Art, New York, NY (MoMA) (traveled through 1980) 1978
  • University Gallery, University of Massachusetts, Amherst 1980
  • Film in the Cities Gallery, St. Paul, MN 1981,1983,1985,1987
  • "Mt. St. Helens: Work in Progress," MoMA, New York, NY 1983
  • Daniel Wolf Gallery, New York, NY 1983,1986
  • "Landscapes from the Middle of the World: Photographs 1972-1987," Museum of Contemporary Photography, Columbia College, Chicago, IL (traveled through 1991) 1988
  • "Two Days in Louisiana," (with Gregory Conniff), Milwaukee Art Museum, Milwaukee, WI 1989
  • Franklin Parrasch Gallery, NYC 1992
  • "Living Water: Photographs of the Sudbury River by Frank Gohlke," DeCordova Museum and Sculpture Park, Lincoln, Massachusetts 1993
  • "Mt. St. Helens as a Public Landscape," Gallery of the School of Architecture and Allied Arts, University of Oregon, Eugene, OR 1993
  • pArts Gallery, Minneapolis, MN (Sudbury River) 1994
  • Florida International University, Miami (Mt. St. Helens) 1994
  • "Conversations in the Park," Reggio Emilia, Italy 1995
  • "On Edge: Landscapes 1972-1990," Bonni Benrubi Gallery, NYC 1995
  • Blue Sky Gallery, Portland, Oregon (Sudbury River) 1997
  • “Making Waves: The Sudbury River," New England Science Center, Worcester, Massachusetts 1997
  • “The Intimate and the Infinite: Waterscapes by Frank Gohlke and Stuart Klipper,” Dorsky Gallery, NYC 1999
  • Howard Greenberg Gallery, New York 2005
  • “Mount St. Helens, Photographs by Frank Gohlke,” Museum of Modern Art, New York 2005

Ref for the whole selected one and two person exhibitions section:

Read more about this topic:  Frank Gohlke

Famous quotes containing the words selected and/or person:

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)

    I looked at my hands, to see if I was de same person now I was free. Dere was such a glory ober eberything, de sun came like gold trou de trees, and ober de fields, and I felt like I was in heaven.
    Harriet Tubman (c. 1820–1913)