Life
Some details are known about his life, and more can be inferred. In his own treatise he described himself as the papal chaplain and the preceptor of the Knights Hospitallers of St. John at Cologne, an extremely powerful position in northern Europe in the 13th century. Other documents of the time refer to him as "Franco of Paris" as well as "Franco teutonicus"; since his writing on music is intimately associated with the Notre Dame school of Paris, and his Teutonic origin is mentioned in several sources, he was probably German, probably traveled between Cologne and Paris, which had close relations during that time, and probably had a musical position at Notre Dame at some point, perhaps as a teacher, composer or singing master.
Jacques of Liège, in his early 14th century Speculum musice, a passionate defense of the 13th century ars antiqua style against the new "dissolute and lascivious" ars nova style, mentioned hearing a composition by Franco of Cologne, a motet in three voices. No music of Franco with reliable attribution has survived, although some works of the late 13th century, from Parisian sources but stylistically resembling German music of the time, have on occasion been attributed to him.
Read more about this topic: Franco Of Cologne
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“The aim of art is almost divine: to bring to life again if it is writing history, to create if it is writing poetry.”
—Victor Hugo (18021885)