Francesco Zuccarelli - Gallery

Gallery

  • Landscape with the Penitent Magdalene. c. 1728. Drawing. British Museum.

  • Standing Female Figure Carrying a Lamp. (after Giovanni da San Giovanni). Etching. Florence, 1728. British Museum.

  • Il Malmantile Racquistato.(Lorenzo Lippi, author). Etching by Francesco Zuccarelli. Florence, 1731.

  • Landscape with Figures next to a Stream. c. 1736. Accademia Carrara, Bergamo.

  • Self-portrait. Drawing in chalks. 1736 or 1738. Royal Academy of Arts, London.

  • Bacchanal. Mid-1740s. Galleria dell'Accademia, Venice.

  • Roman Capriccio with Triumphal Arch, the Pyramid of Cestius, St. Peter's Basilica and the Castle of the Holy Angel. Bernardo Bellotto and Francesco Zuccarelli. Mid-1740s. Galerie Nazionale, Parma.

  • Rape of Europa. Mid-1740s. Galleria dell'Accademia, Venice.

  • Burlington House. Antonio Visentini and Francesco Zuccarelli. 1746. Windsor Castle, London.

  • Landscape with a Waterfall. 1747-8. Accademia Carrara, Bergamo.

  • Old Testament Playing Cards. Francesco Zuccarelli and Antonio Visentini. Venice, 1748. British Museum.

  • Pastoral scene. Early 1750s. Hermitage Museum, St. Petersburg.

  • Margherita Tassi. 1751. Accademia Carrara, Bergamo.

  • Landscape with Milking Scene. Mid-1750s. Ca' Rezzonico, Venice.

  • Landscape with Girls at a River. Mid-1750s. Galleria dell'Accademia, Venice.

  • River Landscape with the Finding of Moses. 1768. Windsor Castle, London.

  • Bull Hunting. Early 1770s. Galleria dell'Accademia, Venice.

Read more about this topic:  Francesco Zuccarelli

Famous quotes containing the word gallery:

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)