Francesco Algarotti - Works

Works

  • Correspondence with Frederick the Great at Digitale Ausgabe der Universitätsbibliothek Trier (German)
  • Il newtonianismo per le dame, 1737. The International Centre for the History of Universities and Science (CIS), University of Bologna
  • "An essay on painting" (1766).
  • "An essay on architecture" (1753).
  • "Letters military and political" (1782).
  • "Essai sur la durée des règnes des sept rois de Rome"
  • "Essai sur l'empire des Incas"

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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