Career
Following her sophomore year in 1929, she went on summer vacation with her mother and older sister to visit family in the Los Angeles, California area. She began working as a movie extra as a lark. Her big break came when, still an extra, she was offered the lead opposite Maurice Chevalier in Playboy of Paris.
The audience appeal established in two films opposite Paramount stars Charles "Buddy" Rogers and Richard Arlen, led to the co-starring role as Sondra Finchley, opposite Phillips Holmes and Sylvia Sidney, in Paramount Pictures's prestigious, and controversial, production of An American Tragedy, directed by Josef von Sternberg. She met actor Joel McCrea on the set of the 1933 film The Silver Cord. The attractive couple married on October 20, 1933, after a whirlwind courtship, and remained married until McCrea's death in 1990.
Dee's additional screen credits included June Moon, Little Women, Of Human Bondage, Becky Sharp, and Payment on Demand. She co-starred with McCrea in the Western Four Faces West (1948).
Read more about this topic: Frances Dee
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating Low Average Ability, reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (18891945)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)