France 2 - Share

Share

1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
34,0% 31,3% 32,0% 33,9% 34,3% 36,6% 40,0% 46,2% 45,7% 42,2% 39,4% 32,0% 26,9% 23,4% 22,1% 21,3% 24,0% 24,7% 25,0% 23,8%
January February March April May June July August September October November December Year
1996 23,9% 27,3% 23,3% 24,2% 24,1% 24,5% 24,8% 24,2%
1997 23,2% 23,9% 24,7% 24,7% 23,6% 22,9% 26,7% 22,4% 22,9% 22,2% 23,0% 23,7% 23,7%
1998 22,7% 23,7% 22,9% 22,5% 22,5% 22,9% 24,2% 21,9% 21,1% 21,5% 21,7% 21,6% 22,5%
1999 22,1% 21,8% 22,2% 22,6% 22,1% 22,6% 24,4% 21,6% 22,4% 21,5% 21,7% 21,6% 22,3%
2000 22,2% 23,2% 22,2% 21,8% 21,4% 22,3% 23,5% 20,8% 22,5% 22,2% 22,2% 21,5% 22,1%
2001 20,6% 20,4% 20,5% 21,1% 20,0% 21,0% 23,1% 20,0% 21,5% 22,7% 22,1% 21,0% 21,1%
2002 20,9% 21,5% 21,7% 21,2% 20,2% 19,1% 23,2% 18,9% 20,5% 20,5% 21,5% 20,2% 20,8%
2003 20,1% 20,4% 21,2% 21,0% 20,4% 20,2% 22,6% 20,3% 20,0% 19,8% 20,9% 19,5% 20,5%
2004 19,7% 20,5% 20,8% 19,9% 20,2% 20,9% 23,2% 21,9% 19,6% 20,0% 20,3% 19,9% 20,5%
2005 19,7% 19,7% 19,5% 19,8% 19,2% 20,1% 23,1% 18,8% 19,3% 19,2% 19,9% 19,7% 19,8%
2006 19,1% 19,8% 20,0% 19,6% 19,4% 18,0% 20,2% 18,4% 18,9% 19,0% 19,5% 18,8% 19,2%
2007 18,3% 19,2% 18,8% 18,2% 17,8% 18,1% 20,6% 16,8% 16,9% 17,6% 17,8% 17,3% 18,1%
2008 18,3% 18,3% 17,7% 17,6% 17,3% 17,3% 19,6% 17,7% 16,3% 16,6% 16,5% 16,2% 17,5%
2009 16,7% 16,4% 16,4% 16,2% 16,8% 16,9% 19,1% 15,4% 16,1% 16,3% 16,6% 16,4% 16,7%
2010 16,1% 16,7% 15,8% 15,7% 16,4% 16,3% 18,9% 14,7% 15,2% 15,5% 15,9% 15,9% 16,1%
2011 15,3% 15,3% 15,3% 15,0% 15,3% 15,2% 17.0% 13.1%** 13.5% 14.1% 15.0% 14.5% 14.9%
2012 14.7% 15.1% 14.7% 14.4% 15.1% 14.6% 16.5% 17.1%

** Minimum

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Famous quotes containing the word share:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    What makes loneliness an anguish
    Is not that I have no one to share my burden,
    But this:
    I have only my own burden to bear.
    Dag Hammarskjöld (1905–1961)

    Unhappily, no man exists who has not in his own person become, to some amount, a stockholder in the sin, and so made himself liable to a share in the expiation.
    Ralph Waldo Emerson (1803–1882)