The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction. This should not be confused with the aside, a dramatic device often used by playwrights where the character on stage is delivering an inner monologue, giving the audience insight into his or her thoughts.The Fourth wall is also used for comedic purposes.
Read more about Fourth Wall: Convention of Modern Theatre, Outside Theatre, Fifth Wall
Famous quotes containing the words fourth and/or wall:
“And he was lost among the waves,
His ship rolled helpless in the sea,
The fourth month of his voyage
He shouted grievously
“Beloved, do not think of me.””
—Alun Lewis (1915–1944)
“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.”
—William Faulkner (1897–1962)