Sources
- Blumröder, Christoph von. 1976. "Karlheinz Stockhausens Mantra für 2 Pianisten. Ein Beispiel für eine symbiotische Kompositionsform." Melos 43, no. 2/Neue Zeitschrift für Musik 137 (March-April): 94–104.
- Blumröder, Christoph von. 1982. "Formel-Komposition—Minimal Music—Neue Einfachheit: Musikalische Konzeptionen der siebziger Jahre." In Neuland Jahrbuch 2 (1981/82), edited by Herbert Henck, 183–205. Bergisch Gladbach: Neuland Verlag.
- Conen, Hermann. 1991. Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre. Kölner Schriften zur Neuen Musik 1, ed. Johannes Fritsch and Dietrich Kämper. Mainz: Schott's Söhne. ISBN 3-7957-1890-2
- Hufschmidt, Wolfgang. 1981. "Musik aus Zahlen: Prinzipien der musikalischen Formgestaltung in der seriellen Kompositionspraxis." In Reflexionen über Musik heute, edited by Wilfried Gruhn, 24–57. Mainz: B. Schott’s Söhne.
- Kohl, Jerome. 1983–84."The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music." Perspectives of New Music 22:147–85.
- Kohl, Jerome. 1990. "Into the Middleground: Formula Syntax in Stockhausen’s Licht." Perspectives of New Music 28, no. 2 (Summer): 262–91.
- Kohl, Jerome. 1993. "Time and Light." Contemporary Music Review 7, no. 2:203–19.
- Kohl, Jerome. 2004. "Der Aspekt der Harmonik in Licht." In Internationales Stockhausen-Symposion 2000: LICHT. Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht. Edited by Imke Misch and Christoph von Blumröder, 116–32. Münster, Berlin, London: LIT-Verlag. ISBN 3-8258-7944-5
- O'Súilleabháin, Finbar. 1992. . Tempo New Series, no. 181 (June): 68.
- Petazzi, Paolo. 1993. "Karlheinz Stockhausen: dalle tecniche seriali alla 'Formelkomposition'". In Due serate monografiche dedicata a Karlheinz Stockhausen, edited by Mauro Conti and Alberto Paloscia, 17–27. 56° Maggio Musicale Fiorentino 1993: 21 and 23 June. Florence:Teatro Communale di Firenze.
- Stenzl, Jürg. 1991. "York Höller's The Master and Margarita: A German Opera." Translated by Sue Rose. Tempo New Series, no. 179 (December): 8–15.
- Stockhausen, Karlheinz. 1989a. "Multiformale Komposition". In his Texte zur Musik 5, 667. Cologne: DuMont Buchverlag. ISBN 3-7701-2249-6
- Stockhausen, Karlheinz. 1989b. "Die Kunst, zu hören". In his Texte zur Musik 5, 669–700. Cologne: DuMont Buchverlag. ISBN 3-7701-2249-6
- Stockhausen, Karlheinz. 1989c. "Musikalische Metamorphose". In his Texte zur Musik 5, 701–36. Cologne: DuMont Buchverlag. ISBN 3-7701-2249-6
Read more about this topic: Formula Composition
Famous quotes containing the word sources:
“No drug, not even alcohol, causes the fundamental ills of society. If we’re looking for the sources of our troubles, we shouldn’t test people for drugs, we should test them for stupidity, ignorance, greed and love of power.”
—P.J. (Patrick Jake)
“My profession brought me in contact with various minds. Earnest, serious discussion on the condition of woman enlivened my business room; failures of banks, no dividends from railroads, defalcations of all kinds, public and private, widows and orphans and unmarried women beggared by the dishonesty, or the mismanagement of men, were fruitful sources of conversation; confidence in man as a protector was evidently losing ground, and women were beginning to see that they must protect themselves.”
—Harriot K. Hunt (1805–1875)
“On board ship there are many sources of joy of which the land knows nothing. You may flirt and dance at sixty; and if you are awkward in the turn of a valse, you may put it down to the motion of the ship. You need wear no gloves, and may drink your soda-and-brandy without being ashamed of it.”
—Anthony Trollope (1815–1882)