Foreclosure (psychoanalysis) - Post Lacan: The Continuing Problematic

Post Lacan: The Continuing Problematic

The question of the status of foreclosure continued to plague Lacan's successors in the decades after his death, as 'a mood of dissidence... witness to the transformation linked to the end of the Lacanian saga' and 'more than twenty associations emerged from the 1980 dissolution of the École Freudienne de Paris. With a general obligation to uphold both fidelity to Lacan, and Lacan's fidelity to Freud, they struggled with the fact that 'whatever the (considerable) value of "foreclosure" as clinical and epistomological concept...the term, before being a translation of Freud's German, was a borrowing from Pinchon's French'.

'At best the commentators perceive that foreclosure does not exist as a concept in Freud's work...sometimes they make no mention of the borrowing from Pinchon and...at worst, the commentators "hallucinate" the presence of a concept of foreclosure in Freud', driven by the need to preserve Lacan as Freud's true successor.

Read more about this topic:  Foreclosure (psychoanalysis)

Famous quotes containing the words post, continuing and/or problematic:

    My business is stanching blood and feeding fainting men; my post the open field between the bullet and the hospital. I sometimes discuss the application of a compress or a wisp of hay under a broken limb, but not the bearing and merits of a political movement. I make gruel—not speeches; I write letters home for wounded soldiers, not political addresses.
    Clara Barton (1821–1912)

    A child-like man is not a man whose development has been arrested; on the contrary, he is a man who has given himself a chance of continuing to develop long after most adults have muffled themselves in the cocoon of middle-aged habit and convention.
    Aldous Huxley (1894–1963)

    A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.
    Harvey Brooks (b. 1915)