Ford Popular in Television Shows
In 1970, a 1954 Ford Popular-based kit car, the Siva Edwardian (MTR 5), was used by Jon Pertwee to become "Bessie", the Doctor's sprightly Edwardian roadster on the long-running science-fiction television show, Doctor Who. A black Ford Popular 103E (EBW 343) was also used in the Monty Python's Flying Circus sketch Mr. and Mrs. Brian Norris' Ford Popular. In a spoof of epic journeys, the Norrises (Michael Palin as Brian Norris and Graham Chapman in drag as Betty Norris) set out to see if the journey from Surbiton to Hounslow was possible; they were thwarted by the Thames and had to finish the trek by rail. Between 1992 and 1997, two black Ford Populars (8253 PU and VXL 794) were used in Heartbeat as Oscar Blaketon's car, the trim corrodes a bit but still in good repair for its age.
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Famous quotes containing the words ford, popular, television and/or shows:
“Off Highway 106
At Cherrylog Road I entered
The ‘34 Ford without wheels,
Smothered in kudzu,
With a seat pulled out to run
Corn whiskey down from the hills,”
—James Dickey (b. 1923)
“The very nursery tales of this generation were the nursery tales of primeval races. They migrate from east to west, and again from west to east; now expanded into the “tale divine” of bards, now shrunk into a popular rhyme.”
—Henry David Thoreau (1817–1862)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)